Opening shot: Shiny disco balls float by in the sky,
dancers appear with guitars that have fire blazing out of its ends, accompanied
by the familiar oh so popular tune and notes of Kishore Kumar’s Om Shanti Om ;
Just 5 minutes into the musical and we knew we were going to have a gala time.
‘Jhumroo, a celebration of Kishore Kumar’ does well
because it is just that, a celebration of the magnificence of Kishore Kumar.
It’s a simple script with elaborate touches.
It’s the story of Bhola played by actor Gaurav Gera, a
happy-go-lucky guy, a big Kishore Kumar fan but with no singing talent
whatsoever, hopelessly in love with his office colleague Meena
Meena played by Shweta Gulati, doesn’t in the remotest
like Bhola, but she does like singers.
There in begins Bhola’s quest to win over Meena. He
takes part in Meena’s favourite singing reality show, with a little ‘inside’
help, when Kishore Kumar’s spirit joins hands with Bhola.
Like in any filmi story, there is the villain who can
come in between Bhola’s musical dreams too. Will Bhola win the show and Meena’s heart before
everyone finds out the truth is the familiar storyline. And therefore this
familiarity needed some solid backing from a lot of other ends.
Thankfully everything does match the grandeur of Kishore
Kumar’s songs. The sets, both virtual and real, are opulent and very snazzy.
Virtual sets are used to set the moods,the various different backdrops on a
scale we’ve never seen before. The virtual spirit of Kishore Kumar is so
believable that its eerie. There was not one technical snag and you’re
transported from one scene to the other scene almost seamlessly. The choreography by Ashley Lobo is retro and
fun, the kind where you think 'Oh I wish I was doing that jig up on that
stage.’
And then, there’s the aerial choreography. Actors,
dancers constantly fly up in the air effortlessly. Infact there’s an entire
song, Pyar ke is khel main originally from the film Jugnu, that’s been
choreographed with the actors on hand gliders. Fun, indeed.
The negatives? It’s a little too long and we don’t mean
the songs. The more than a dozen Kishore Kumar songs is appropriate, you may
even be left asking for more. But some of the scenes like Bhola’s introduction
and a Navratri scene could have been easily chopped down.
But even then, Jhumroo doesn’t falter. We often found
ourselves in the midst of an extremely enthusiastic audience, clapping and
hooting along to some classic songs.
In this theatre musical deprived country of ours,
Jhumroo is kitschy fun!
Note: A copy of this article has appeared in The Financial World and tehelka.com
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